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Sunday, July 21, 2019

Nebuchednezzar’s ‘grandson’, ‘Ahasuerus’ and queen Vashti


  Art Print featuring the photograph King Ahasuerus by Icons Of The Bible


by

Damien F. Mackey


‘Now I will give all your countries into the hands of my servant Nebuchadnezzar
king of Babylon; I will make even the wild animals subject to him. All nations
will serve him and his son and his grandson until the time for his land comes;
then many nations and great kings will subjugate him’.
Jeremiah 27:6-7
Daniel 5 provides us with a straightforward sequence of kings for the Chaldean to early Medo-Persian eras. These are: 1. Nebuchednezzar, 2. his son Belshazzar, and 3. Darius the Mede.
Thus the prophet Daniel proclaims to Belshazzar (5:18): ‘O thou king, the most high God gave Nebuchadnezzar thy father a kingdom, and majesty, and glory, and honour …’. And later we read (vv. 30-31): “In that night was Belshazzar the king of the Chaldeans slain. And Darius the Median took the kingdom, being about threescore and two years old”.
That King Nebuchednezzar ‘the Great’ indeed had a son named Belshazzar is further attested by Baruch 1:12: ‘The Lord will give us strength, and light to our eyes; we shall live under the protection of King Nebuchadnezzar of Babylon, and under the protection of his son Belshazzar, and we shall serve them many days and find favor in their sight’.
Nebuchednezzar and his evil son Belshazzar (Daniel 5) find a parallel in my revision with: Nabonidus and his (known) son Belshazzar.
According to this revision, Nebuchednezzar = Nabonidus, and Evil-merodach (known son and successor of Nebuchednezzar) = Belshazzar (of Baruch, of Daniel, and son of Nabonidus).
And so we have this clear sequence:
  1. Nebuchednezzar (= Nabonidus), his son
  2. Belshazzar (= Evil-merodach),
  3. Darius the Mede.
The enigmatic Darius the Mede I also consider to have been both Cyrus ‘the Great’ and the ‘King Ahasuerus’ of the Book of Esther.

But now a seeming complication arises. The prophet Jeremiah adds to Nebuchednezzar’s lineage a ‘grandson’: “All nations will serve him and his son and his grandson …”.
Was Darius (= Cyrus = ‘Ahasuerus’) actually a ‘grandson’ (בֶּן-בְּנוֹ) of Nebuchednezzar’s?
In a sense, yes he was, if Jewish tradition is right here. For the (presumably young) wife of the 60+ year old king ‘Ahasuerus’ is alleged to have been the daughter of Belshazzar.
“Vashti was born to Babylonian royalty. Her grandfather was Nebuchadnezzar, who had destroyed Solomon's Temple in Jerusalem and driven the Jews into exile. Her father was Belshazzar, the last in a line of great Babylonian kings whose dramatic death is described in the Book of Daniel”.
This we read in an article by Rebbetzin Tziporah Heller, entitled “The Villainy of Vashti” (2003): https://www.aish.com/h/pur/t/dt/48951881.html



As the story of Purim in the Book of Esther begins, King Achashverosh [Ahasuerus] of Persia is holding a banquet.
On the seventh day of the festivities, the king summons Queen Vashti so that the ministers and guests can admire her beauty. He commands that she come wearing only the royal crown. Queen Vashti refuses and is executed.
The job vacancy brings Esther to the palace where she is in position to save the Jewish people when chief minister Haman hatches his plot for their total annihilation.
Vashti, whose refusal to obey the king sets the action in motion, is an interesting character in this drama. In fact, in the first analysis she seems like a heroine -- a woman who had too much dignity to be paraded naked before a drunken horde. There is only one problem. Heroism is not determined from the outside in, but rather from the inside out. From that perspective, Vashti, as we shall see, was a villain.
Judaism defines heroism as an act of overcoming an obstacle that stands in the way of a spiritual objective. Such obstacles are placed before all of us by God, but the level of sacrifice demanded to overcome each such obstacle can vary widely. In the case of one person, genuine heroism may go as far as sacrificing one's life for the sake of another. For another person, genuine heroism may mean sacrificing ego or pride.
Therefore, our question when assessing Vashti's heroism or villainy is: what was she reaching towards and what stood in the way of her achieving that goal?
In order for us to draw conclusions, let us expand our picture of her.
WHO WAS VASHTI?
Vashti was born to Babylonian royalty. Her grandfather was Nebuchadnezzar, who had destroyed Solomon's Temple in Jerusalem and driven the Jews into exile. Her father was Belshazzar, the last in a line of great Babylonian kings whose dramatic death is described in the Book of Daniel.
Belshazzar threw a party and commanded that revelers drink from the holy vessels of the Temple and then praise "the gods of gold and silver..."
At that moment, a large unattached finger appeared and started to write on the wall: "God has numbered the days of your kingdom and brought it to an end ... your kingdom has been divided and given to the Medes and Persians." That very night invading [hordes] of Persians and Medes attacked; Vashti was the only survivor. But the spirit of conquest that had doomed her father lived on intact within her.
We learn more about her from the Talmud (in Megillah 12). It tells us Vashti would have Jewish women brought before her, force them to undress and coerce them into working for her on Shabbat. The Talmud then asks why did she refuse to come before Achashverosh (not being known as a modest woman)? The Talmud gives two answers: 1) because tzaraat (a skin ailment resembling leprosy) erupted on her body; or 2) because she had grown a tail.
If an aggadic statement in the Talmud doesn't make sense literally, the approach that we are meant to take, according to the Maharal, is to try to grasp the underlying meaning of the allegory. With this in mind we shall proceed, separating the literal from the allegorical and analyzing the latter further.
It is almost certain given the social environment of ancient Persia, and the underlying hatred of Jews that came to the surface soon after this episode, that the first part of the statement is literal. Yes, she did have Jewish women abducted. Yes, she did want to humiliate them. Yes, she was clever enough to figure out the most efficient way to bring this about.
The second segment is not literal. No, she did not sacrifice her life by disobeying a despot because of bad skin. She did not have a terrible case of acne or anything resembling a simple skin disease. No, she did not reverse evolution and grow a tail. The second part is an allegory that demands interpretation.
A THREAT TO VASHTI
Jewish women represented a threat to Vashti because they were, in the most profound sense of the word, unconquerable. By observing Shabbat, they demonstrated that there is a ruler who is beyond the reach of any monarch. By maintaining their basic modesty they proved that they define themselves internally rather than superficially. They were untouchable.
It was for that reason that Vashti felt an almost compulsive desire to break them. By doing so she sealed her own fate. In order to understand how, we can follow the allegory that the Talmud presents.
The body-soul link is stronger than many of us realize. While we all know that excitement can raise blood pressure, and some of us can describe the process with great precision, there is far more involved that we have as yet to explore. In earlier times, God Himself would allow physical manifestations of an individual's spiritual state to show. The best known of this phenomenon is tzaraat. It affected the skin, the most external part of the body.
(The skin hides and protects the inner organs. The word for skin in Hebrew is or. It is written identically to the word iver, which means blind. The common denominator of the two words is that they both convey the concept of not being able to see things as they really are.)
Tzaraat was an eruption similar to leprosy in that the skin became tough and insensitive. The difference is that while in leprosy the entire effected area is insensate; in the case of tzaraat there always remained at least a patch of living skin in the midst of the dead skin. What this symbolized was that there was always a possibility of redefining oneself.
The Talmud tells that tzaraat came about because of sins involving slander. Slander always has one motivation -- arrogance.
There is no cheaper high for self-importance addicts (like Vashti) than trivializing and belittling others. It gives such people the feeling of superiority without any need to actually be superior. Blindness helps to silence the conscience, because then the victim can't be seen as a fellow human. Therefore, to slander freely without guilt, it helps to have thick skin and to be spiritually blind.
Vashti had long ago stopped seeing beyond the surface. Her punishment was that she had to face the fact that she too was not flawless.
In the process of disparaging others, she lost something very precious -- her own humanity. What she saw when she looked in the mirror was a parody of a human being -- the tail. She saw a heartless egomaniac.
WHY VASHTI REFUSED THE KING
We can now return to our original question. Why didn't she come when Achashverosh called?
The Talmud (in Midrash Rabba) provides us with the final piece of information that lets us put the puzzle pieces together. It reveals to us the words that she used when she refused him. "You were my father's stable boy. You had harlots parade in front of you. Are you going back to where you came from?"
Her intent was not to build herself up or to preserve her integrity. She was aware of what she had become, but had neither the will nor the courage to change. She had followed a pattern that had typified her life from the beginning. Her intent was to cut him down. There was no heroism here. There was only arrogance.
It is easy for us to fool ourselves. Heroism and egotism come unlabeled. The only key that we have is truth. Purim is the holiday in which every thing was turned about. The inside, the core of truth was revealed. Falsehood was shaken off. May we be worthy of using this day to discover the part of ourselves that is genuinely heroic.
[End of quote]
Jewish legends can prove to be very helpful here and there, as I found, for example, in my search for the identity of the elusive Aman (Haman) of the Book of Esther:
Aman (Haman), a king of Judah no less, King Amon!
That was most unexpected.
And now, in the case of Jeremiah 27:7, we can say that (thanks again to Jewish tradition) the Medo-Persian king who followed Belshazzar could  indeed be described as a ‘grandson’ of Nebuchednezzar, a ‘grandson’ through marriage - he apparently having married Nebuchednezzar’s grand-daughter.

Akhnaton an unlikely contemporary of Solomon


 



by

 

Damien F. Mackey



 

 

 

To the contributor who hopefully believes that he has ‘proof that Akhenaten had to be reigning during, or after, King Solomon's reign …’.

 

 

I replied:

 

….

 

If you are really going to solve all of the ‘mysteries’ of Akhnaton’s peculiar reign, as you hopefully suggest - and I love your confidence - then you need to be able to set Akhnaton aright in his proper historical location. And, as you would be aware, it is not sufficient just to drop one pharaoh into a particular spot (in this case, during, or near to, Solomon’s reign). You would need to find a Jerusalem-conquering “Shishak” of Egypt at about this same time, and, of course, an impressive Queen of Sheba. 

 

Immanuel Velikovsky had provided all of that in his plausible re-locating of the Eighteenth Egyptian Dynasty at the time of the United, then Divided, Kingdom of Israel, with the powerful Thutmose III as “Shishak” and Hatshepsut as “Sheba”, followed later by a well-worked out locating of Akhnaton (El Amarna) at about the time of Ahab king of Israel.

 

David Rohl, too, in his revision, is careful to present an overall scenario around, say, his Ramses II as “Shishak”, though I don’t think that he has managed to be successful.

 

He and others, such as Creationist Patrick Clarke, completely fail in their respective revisions to come up with a plausible Queen of Sheba.

 

Do you have an overall revision, then, that justifies Akhnaton’s being situated at the time of King Solomon?

 

Best of luck with it all,

Damien.

 

How real is the Adad-guppi Stele?


 


 
by
 
Damien F. Mackey


 
 
 
 
According to the Stele of Adad-guppi, this woman, the mother of King Nabonidus,
lived for 104 years, from the 20th year of Ashurbanipal until the 9th year of Nabonidus.
 
 
 
 
To say that this chronological data, if accurate, presents a slight problem to my revision of neo-Assyrian/Babylonian kings would be for me to make a huge understatement, considering that I have identified Ashurbanipal with Nabonidus. See e.g. my article:
 
Ashurbanipal and Nabonidus
 
 
 
That means that, if the Adad-guppi Stele were to be strictly accurate, the lady must have died (20th year) even before she was born (9th year).
 
The relevant part of the Stele reads:
 
….
29. From the 2oth year of Assurbanipal, king of Assyria, that I was born (in)
30. until the 42nd year of Assurbanipal, the 3rd year of Asur-etillu-ili,
31 .his son, the 2 I St year of Nabopolassar, the 43rd year of Nebuchadrezzar,
32. the 2nd year of Awel-Marduk, the 4th year of Neriglissar,
33. in 95 years of the god Sin, king of the gods of heaven and earth,
….
40. Nabu-na’id (my) only son, the issue of my womb, to the kingship
41. he called, and the kingship of Sumer and Akkad
….
26. From the time of Assurbanipal, king of Assyria, until the 9th year
27. of Nabu-na’id king of Babylon, the son, offspring of my womb
28. 104 years of happiness, with the reverence which Sin, king of the gods,
29. placed in me, he made me flourish, my own self : ….
 
 
Thankfully, there is much doubt about the date and authenticity of the document and of the chronological data that it supplies. (“Close examination, however, reveals that these compositions were written years—at times even centuries—after the death of the purported narrator– author. See below)

Charles Ginenthal, for instance, in Pillars of the Past (Volume Two), tells:

 

Longman suggests that in order for a document to be regarded as historically authentic and true, it ought to be “supported by ... cases ... [of other] contemporary witnesses. But according to Paul-Alain Beaulieu there is no corroboration for the Adad-guppi stele from contemporary witnesses because, as he shows “this passage ... remains the sole source on Adad-guppi's life”. The evidence contained in the Adad-guppi stele has no contemporary witnesses for corroboration. It is its own sole source for its historic validity. Longman continues:

 

“The question arises, therefore, as to the relationship between the 'historical' and the 'literary' in these texts. To what extent do these compositions accurately reflect historical events? No precise answer to this question may be given.”….

 

Longman makes it quite clear that one cannot prove the events in such documents as that of Adad-guppi are part of a truly correct historical account rather than a literary, fictional one. The reason is that not only is there no eyewitness corroboration of this document but these texts were created as propaganda tracts to extol the king or others. As Longman further shows,

 

Recent study by both Assyriologists and biblical scholars has exposed the political/propagandist function of many literary compositions. Frequently literature was composed in order to justify a political act that had taken place in the past.”[433]

 

With respect to the Adad-guppi stele in particular as it relates to propaganda, Longman adds:

 

“A dual function may be seen in Adad-guppi: on the one hand Adad-guppi's recounting of her life promotes the worship of the moon cult (her own example ... suggests that such a course of action leads to a prosperous and long life): on the other hand the text also ... glorifies her son Nabonidus. The text … was probably composed by a pro-Nabonidus group that supported his religious program” ….

 

He thus concludes: “the Adad-guppi autobiography is an example of a text that has a religious and a political [propaganda] function working side by side. …. While Jonsson suggests the stele was “evidently composed by Nabonidus”, Longman suggests that it was “probably composed by a pro-Nabonidus group”. Longman goes on to say that such texts were produced by an anonymous author who assumed Adad-guppi's name as a pseudonym:

 

“A pseudonym is 'a false or fictitious name, esp. one assumed by an author'. A pseudonymous literary work, therefore, is one written by someone other than that named in the text as author ... Further, autobiography [such as that of Adad-guppi] is a type of composition in which=h the narrator claims to be the author”. ….

….

 

In the main text itself, the main god, Sin, is made to say “Through you [Adad-guppi] I will bring about the return of the gods (to) the dwelling in Harran by means of Nabunaid [Nabonidus] your son”. …. All this shows that no one knows who wrote the stele and for what reason. But more important is the problem of when it was composed. Longman gives this general overview: “Close examination, however, reveals that these compositions were written years—at times even centuriesafter the death of the purported narrator– author”. ….

 

He further conjectures that the Adad-guppi text was composed “(10 years?)” after her death. …. The question mark added to the estimate makes it clear that the date of the text is purely conjectural and can in no way be known.

 

Related to this is the fact pointed out by Raymond Philip Dougherty [441] that the word used by the chronicler refers to the parent of Nabonidus not in the feminine but in the masculine form, as though Adad-guppi was a man. This indicates that the chronicler who copied the Nabonidus Chronicle did so long after the events recounted and edited it based on his incorrect understanding of the text. Dougherty further shows:

 

“An apparent quandary arises ... concerning Nabonidus' stay ... in Arabia [based on] available texts ... he was not in Babylonia in the ninth year of his reign when the death of his mother occurred. The intimation of the Nabonidus Chronicle is that he took part neither in the three-day period of mourning ... nor in the general mourning after her death during the month of Sivan of the same year. On the other hand the Eski-Harrân inscription column III, lines 19b-32, attributes to Nabonidus the performance of extensive burial rites which were common in antiquity”. ….

 

To explain this obvious contradiction, textual editing is employed by Dougherty. It is assumed that Nabonidus issued orders that “all appropriate rites should be performed in his name ... [therefore a]nything done at the behest of a distant sovereign was credited to him.”[443]

 

All of this editing and textual criticism cannot be tested; it is all assumed and then the assumptions are taken as valid historical chronology of this period.

 

Therefore, we have no idea who wrote the Adad-guppi inscription, when it was written, or if the work is a valid basis upon which one may depend as evidence for the established chronology. Herbert Butterfield discussed these foundation inscriptions

 

"in the Babylonia of the time of Nabonidus ... and indeed during the whole of what is called the Neo-Babylonian epoch. There was a sense for the past, and a great desire to restore ancient temples; but it was necessary to follow the rules that had been established in each case—to discover the temena which had authenticated the original building and had shown how the god had intended it to be constructed. A breach of this divine decree might bring tragedy, and there were occasions when a temple was pulled down because it was disclosed that it did not correspond with the basic document. If the text could not be found, some other document might be used to authenticate tradition at a given place; though it was liable to be superseded if something still more ancient emerged. The temena was attached to the original building and if the temple was in ruins it might be necessary to institute something like a dig [to find it]. Mention is made of specialized workers who took part in this investigation. In the process, varied kinds of texts were likely to be uncovered [such as the Adad-guppi stele]; they would be transcribed and studied and if they contained the name of a ruler he would be located in the king-lists and the date would be worked out”. ….

 

We thus have no idea if this stele was found tens or hundreds of years later in the area of a temple that was either destroyed or left in ruins. We have no idea if elements in it were missing and then replaced by scribes who attempted to give it the correct translation and meaning. A.K. Grayson describes what happened to these inscriptions:

 

"[Neo-]Assyrian royal inscriptions are one of the major sources of this period. The few extant Babylonian inscriptions of this era have little relevance to Assyrian history. Among the Assyrian royal inscriptions the commemorative texts [like that of Adad-guppi] are the largest and most important group. They consist of annals [etc.]. The annals were commonly re-edited many times during a reign and the historian should give priority to the earliest version for a given campaign. Even the modern scholar must be very critical, for most of the texts now extant are products of considerable editing, selecting and conflating of various sources. Moreover, the Assyrian royal inscriptions are notoriously biased and occasionally untruthful, and one must constantly watch for deliberate omission, distortions, and falsification”. ….

 

All these problems must also be involved in either small or large measure with the Adad-guppi stele. How can one know for certain that this is not the case with the Adad-guppi inscription, since there are no other corroborating eyewitness accounts to determine its validity? An example of how this falsification occurs is reported by Joan Oates and David Oates:

 

“The interest of ... historical [reality] for the archaeology of Nimrud is that Sargon later substituted his own 'improved' version of the events, as a blatant piece of propaganda in a document directly modeled after that of [the original one by] MerodachBaladan and [placed it] in the same temple in Warka. Indeed the final lines of the 'substitute' cylinder read 'copy of a foundation-text sent (?) to/from the palace in the land of Assur; copied and revised. Sargon retained the original in his archives where it was found by Mallowan in 1952, literally over a period of three days, the cylinder itself having been broken – deliberately? – into three pieces”.

 

In this case the archaeologists and historians were fortunate to discover the original and have the falsifier admit his revision. But we cannot depend on this being the case with other documents such as the Adad-guppi inscription.

 

 


https://www.revolvy.com/images/icons/image-magnify-2.png
 


 

Thursday, July 18, 2019

Graham Hancock on inveterate archaeologists



Robert K. G. Temple’s
Trenchant Criticisms of
“the Academic world”.
 


Part Four:
Graham Hancock on inveterate archaeologists
 

 
by
 
Damien F. Mackey
 
 

“There might be room for some tinkering around the edges,
some refinement of orthodox ideas, but God forbid that anything should be
discovered that might seriously undermine the established paradigm”.
 
Graham Hancock

 
 
Whilst I do not necessarily agree with all of the esoteric - though often most interesting to read - theories put forward by the likes of Robert Temple and Graham Hancock, their colourful jibes at the monolithic disciplines that are conventional archaeology and Egyptology I find to be both humorous and resonant with my own sentiments.
 
Part One:
https://www.academia.edu/35925085/Robert_K._G._Temples_Trenchant_Criticisms_of_the_Academic_World_ If it were not for the activities of a few polite and genteel 'trouble-makers' like Nibbi and O'Mara, Egyptology would become totally petrified and incapable of ever generating a new insight”.
 
Part Two:
Friedman on ‘failure of nerve’.
 
Part Three:
“They’re frightened that if they find stuff under there, it’s going to blow all their books and all their history out of the window. They started to investigate it but then they stopped. So they must have known there’s stuff there but they’re worried”. Latifa Yedroudj
 
The following juicy bits are taken from Graham Hancock’s book, Magicians of the Gods:
 
…. A house raised on sand will always be in danger of collapse.
The evidence is mounting, though most of the later construction is of high quality, that the edifice of our past built by historians and archaeologists stands on defective and dangerously unsound foundations. ….
….
I’m used to archaeologists making the sign of the evil eye and turning their backs on me when I show up at their excavations.
….
A little later, in 1994, Schmidt came across the report of the Turkish-American survey done thirty years earlier and stumbled upon a single paragraph that mentioned the presence of worked flints alongside fragments of limestone pillars lying on the surface at Göbekli Tepe. “I was a young archaeologist,” he explains, “I was looking for my own project, and I immediately realized that there could be something of significance here, perhaps even another site as important as Nevali Cori.”
“Which your predecessors had missed, because flints and architectural pillars are not normally associated in the minds of archaeologists?”
I’m hoping he’ll get my hint that he, too, might be missing something at Göbekli Tepe because of the established paradigm, but he seems oblivious and replies, “Yes, exactly.”
….
Columnar basalt does form naturally—the famous Giant’s Causeway in Northern Ireland is an example—but at Gunung Padang it has been used as a building material and is laid out in a form never found in nature.
“The geophysical evidence is unambiguous,” Natawidjaja says. “Gunung Padang is not a natural hill but a man-made pyramid and the origins of construction here go back long before the end of the last Ice Age. Since the work is massive even at the deepest levels, and bears witness to the kinds of sophisticated construction skills that were deployed to build the pyramids of Egypt, or the largest megalithic sites of Europe, I can only conclude that we’re looking at the work of a lost civilization and a fairly advanced one.”
“The archaeologists won’t like that,” I point out.
“They don’t!” Natawidjaja agrees with a rueful smile. “I’ve already got myself into a lot of hot water with this. My case is a solid one, based on good scientific evidence, but it’s not an easy one. I’m up against deeply entrenched beliefs.”
The next step will be a full-scale archaeological excavation. “We have to excavate in order to interrogate our remote sensing data and our carbon dating sequences and either confirm or deny what we believe we’ve found here,” says Natawidjaja, “but unfortunately there’s a lot of obstacles in our way.”
When I ask what he means by obstacles he replies that some senior Indonesian archaeologists are lobbying the government in Jakarta to prevent him from doing any further work at Gunung Padang on the grounds that they “know” the site is less than three thousand years old and see no justification for disturbing it.
“I don’t deny that the megaliths at the surface are less than three thousand years old,” Natawidjaja hastens to add, “but I suggest they were put here because Gunung Padang has been recognized as a sacred place since time immemorial. It’s the deepest layers of the structure at between 12,000 and more than 20,000 years old [sic] that are the most important. They have potentially revolutionary implications for our understanding of history and I think it’s vital that we be allowed to investigate them properly.”
….
What I could not do when I wrote Fingerprints, because the data was not then available, was identify the exact nature of the cataclysm that had wiped out my hypothetical lost civilization. Instead I speculated on a number of possible causes, notably the radical “earth crust displacement” theory of Professor Charles Hapgood which, though endorsed by Albert Einstein,8 has since found little favor among geologists. This absence of a credible “smoking gun” was one of the many aspects of my argument that was heavily criticized by archaeologists. Since 2007, however, a cascade of scientific evidence has come to light that has identified the smoking gun for me. It’s all the more intriguing because it’s the work of a large group of impressively credentialed mainstream scientists, and because it does not rule out, indeed it in some ways reinforces, the case for massive crustal instability that I made in Fingerprints of the Gods.
….
Even in 2013 the archaeological vandalizing and defacing of the site was well advanced with a hideous raised walkway in place, but what has happened since our last visit is almost beyond words to describe. A massively ugly wooden roof now looms over the megalithic enclosures, entirely covering them, and hulking platforms loaded with tons of stones have been suspended beneath it to prevent the roof from blowing away in high winds. These platforms, together with the struts supporting the roof and the prominent “no entry” signs scattered around, make it almost impossible to see the megalithic pillars or to appreciate their profound, original beauty and spiritual power.
What the archaeologists have done—of course, they claim they did it to “protect” the site—is a travesty, an abomination, a masterpiece of ugliness, and we, the global public, whose heritage Göbekli Tepe is, are left cheated and bereft. I simply cannot understand the minds that could have boxed in, caged and imprisoned Göbekli Tepe in this way. I cannot begin to imagine what they were thinking. And even if the roof is “temporary” as is presently claimed—until, no doubt, a larger one is put in place—that is no excuse. Better no roof at all (the site has managed very well without one for nearly nineteen years since the first excavations began) than even five minutes of this vile “temporary” horror.
Besides, I have grave doubts about how “temporary” it will be. It has taken almost a year for the German Archaeological Institute to put the roof up (they were already working on it during our previous visit in September 2013), a lot of money has been spent on it, and I fear we will not see it removed and replaced with something more aesthetically appropriate to the majesty and mystery of Göbekli Tepe for a very long while.
As to a night visit, and my plan to see the stars with the megaliths around me … What a joke! The roof has cut Göbekli Tepe off entirely from the cosmos. It feels almost like a deliberate, calculated act of disempowerment—as though someone among the powers that be suddenly woke up and realized how dangerous this ancient place has become to the established order of things and how subversive it potentially is to the system of mind control, very much including control of the past, that keeps modern society in order.
.
It is notoriously difficult to know, with any useful level of certainty, the age of anonymous, uninscribed stone monuments. Carbon dating of associated organic materials is only useful when we can be absolutely certain that the materials being dated were deposited at the same time as the cutting and placing of the stone we are interested in. In the case of many megalithic structures this is impossible. Surface luminescence dating, which we saw in Chapter Ten has already produced some anomalous results at the Pyramid of Menkaure and at the Sphinx and Valley Temples of Giza, has not yet been widely taken up by the archaeological establishment and has never been applied to the monuments of the Andes. In the absence of useful objective tests, therefore, the next routine strategy is to look at architectural style and methods. Just as different styles of pottery can often provide reliable indications as to what culture in what period made a particular piece, so too with architecture. The rule of thumb is that very different styles and approaches to the construction or creation of stone monuments, even if they stand side by side, are indicative of the involvement of different cultures working at different periods in the past.
Unfortunately this logical and reasonable technique of stylistic dating is not popular with archaeologists studying the monuments of the Andes—perhaps because, if they were to deploy it here, as they do elsewhere, they would be forced to question the established theory that the Incas made everything. Archaeology is a deeply conservative discipline and I have found that archaeologists, no matter where they are working, have a horror of questioning anything their predecessors and peers have already announced to be true. They run a very real risk of jeopardizing their careers if they do. In consequence they focus—perhaps to a large extent subconsciously—on evidence and arguments that don’t upset the applecart. There might be room for some tinkering around the edges, some refinement of orthodox ideas, but God forbid that anything should be discovered that might seriously undermine the established paradigm.
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And so it goes, on and on.
Great stuff!